Bad Ethnography

reportagebygettyimages: “The slums near Manila Bay are...

Fri, 24 May 2013 11:59:51 -0700

“The slums near Manila Bay are unhealthy enough—the Ulingans live next to a rubbish dump,” writes Reportage photographer Lisa Wiltse. “But the rudimentary process of making charcoal in open pits next to the dump site exposes the squatters to even more harmful emissions such as carbon monoxide, nitrous oxide, and soot, as well as chemicals from burning treated wood.”

This is the subject of Lisa’s project, “Charcoal Kids,” which helped her earn this year’s Marty Forscher Fellowship Fund for an emerging professional, awarded by PDN and Parsons School for Design. Lisa is a documentary photographer who emphasizes socially disadvantaged communities and ways of living. She has traveled extensively, focusing on documenting everyday life of marginalized people in countries like Bangladesh, Uganda, the Philippines, Bolivia, New Zealand and the U.S. She lives in New York City. See more of her work on the Reportage Web site.

Caption: Boys from the squatter community of Ulingan swim in the effluent waters of the Pasig River in Manila, Philippines. (Photo by Lisa Wiltse.)

thepeoplesrecord: The troubling viral trend of the “hilarious”...

Fri, 24 May 2013 11:48:10 -0700

thepeoplesrecord:

The troubling viral trend of the “hilarious” Black poor person
May 7, 2013

Charles Ramsey, the man who helped rescue three Cleveland women presumed dead after going missing a decade ago, has become an instant Internet meme. It’s hardly surprising—the interviews he gave yesterday provide plenty of fodder for a viral video, including memorable soundbites (“I was eatin’ my McDonald’s”) and lots of enthusiastic gestures. But as Miles Klee and Connor Simpson have noted, Ramsey’s heroism is quickly being overshadowed by the public’s desire to laugh at and autotune his story, and that’s a shame. Ramsey has become the latest in a fairly recent trend of “hilarious” black neighbors, unwitting Internet celebrities whose appeal seems rooted in a “colorful” style that is always immediately recognizable as poor or working-class.

Before Ramsey, there was Antoine Dodson, who saved his younger sister from an intruder, only to wind up famous for his flamboyant recounting of the story to a reporter. Since Dodson’s rise to fame, there have been others: Sweet Brown, a woman who barely escaped her apartment complex during a fire last year, and Michelle Clarke, who couldn’t fathom the hailstorm that rained down in her hometown of Houston, and in turn became “the next Sweet Brown.”

Granted, the buzzworthy tactic of reporters interviewing the most loquacious witnesses to a crime or other event is nothing new, and YouTube has countless examples of people of all ethnicities saying ridiculous things. One woman, for instance, saw fit to casually mention her breasts while discussing a local accident, while another man described a car crash with theatrical flair. Earlier this year, a “hatchet-wielding hitchhiker” named Kai matched Dodson’s fame with his astonishing account of rescuing a woman from a racist attacker. But none of those people have been subjected to quite the same level of derisive memeification as Brown, Clark, and now, perhaps, Ramsey—the inescapable echoes of “Hide yo’ kids, hide yo’ wife!” and “Kabooyaw,” the tens of millions of YouTube hits and cameos in other viral videos, even commercials.

It’s difficult to watch these videos and not sense that their popularity has something to do with a persistent, if unconscious, desire to see black people perform. Even before the genuinely heroic Ramsey came along, some viewers had expressed concern that the laughter directed at people like Sweet Brown plays into the most basic stereotyping of blacks as simple-minded ramblers living in the “ghetto,” socially out of step with the rest of educated America. Black or white, seeing Clark and Dodson merely as funny instances of random poor people talking nonsense is disrespectful at best. And shushing away the question of race seems like wishful thinking.

Ramsey is particularly striking in this regard, since, for a moment at least, he put the issue of race front and center himself. Describing the rescue of Amanda Berry and her fellow captives, he says, “I knew something was wrong when a little pretty white girl ran into a black man’s arms. Something is wrong here. Dead giveaway!”

The candid statement seems to catch the reporter off guard; he ends the interview shortly afterward. And it’s notable that among the many memorable things Ramsey said on camera, this one has gotten less meme-attention than most. Those who are simply having fun with the footage of Ramsey might pause for a second to actually listen to the man. He clearly knows a thing or two about the way racism prevents us from seeing each other as people.

Source

thepeoplesrecord: Israel & Mexico swap notes on abusing...

Thu, 23 May 2013 12:16:06 -0700

thepeoplesrecord:

Israel & Mexico swap notes on abusing rights
May 22, 2013

Earlier this month, Jorge Luis Llaven Abarca, Mexico’s newly-appointed secretary of public security in Chiapas, announced that discussions had taken place between his office and the Israeli defense ministry. The two countries talked about security coordination at the level of police, prisons and effective use of technology (“Israeli military will train Chiapas police,” Excelsior, 8 May [Spanish]).

Chiapas is home to the Zapatistas (Ejército Zapatista de Liberación Nacional), a mostly indigenous Maya liberation movement that has enjoyed global grassroots support since it rose up against the Mexican government in 1994. The Zapatistas took back large tracts of land on which they have since built subsistence cooperatives, autonomous schools, collectivized clinics and other democratic community structures.

In the twenty years since the uprising, the Mexican government has not ceased its counterinsurgency programs in Chiapas. When Llaven Abarca was announced as security head in December, human rights organizations voiced concerns that the violence would escalate, pointing to his history of arbitrary detentions, use of public force, criminal preventive detentions, death threats and torture (“Concern about the appointment of Jorge Luis Llaven Abarca as Secretary of Public Security in Chiapas,” Fray Bartolomé de Las Casas (Frayba) Center for Human Rights,14 December 2012 [PDF, Spanish]).

Aptly, his recent contacts with Israeli personnel were “aimed at sharing experiences,” Abarca has claimed. This may be the first time the Mexican government has gone public about military coordination with Israelis in Chiapas. Yet the agreement is only the latest in Israel’s longer history of military exports to the region, an industry spawned from experiences in the conquest and pacification of Palestine.

Weapons sales escalate

The first Zionist militias (Bar Giora and HaShomer) were formed to advance the settlement of Palestinian land. Another Zionist militia, the Haganah — the precursor to the Israeli army and the successor of HaShomer — began importing and producing arms in 1920.

Israeli firms began exporting weapons in the 1950s to Latin America, including to Nicaragua and the Dominican Republic under the Somoza and Trujillo dictatorships. Massive government investment in the arms industry followed the 1967 War and the ensuing French arms embargo. Israeli arms, police, military training and equipment have now been sent to at least 140 countries, including to Guatemala in the 1980s under Efraín Ríos Montt, the former dictator recently convicted of genocide against the Maya.

Mexico began receiving Israeli weaponry in 1973 with the sale of five Arava planes fromIsrael Aerospace Industries. Throughout the 1970s and ’80s, infrequent exports continued to the country in the form of small arms, mortars and electronic fences. Sales escalated in the early 2000s, according to research that we have undertaken.

In 2003, Mexico bought helicopters formerly belonging to the Israeli army and Israel Aerospace Industries’ Gabriel missiles. Another Israeli security firm, Magal Security Systems, received one of several contracts for surveillance systems “to protect sensitive installations in Mexico” that same year, The Jerusalem Post reported.

In 2004, Israel Shipyards sold missile boats, and later both Aeronautics Defense Systems and Elbit Systems won contracts from the federal police and armed forces for drones for border and domestic surveillance (“UAV maker Aeronautics to supply Mexican police,”Globes, 15 February 2009). Verint Systems, a technology firm founded by former Israeli army personnel, has won several US-sponsored contracts since 2006 for the mass wiretapping of Mexican telecommunications, according to Jane’s Defence Weekly.

Trained by Israel

According to declassified Defense Intelligence Agency documents [PDF] obtained via a freedom of information request, Israeli personnel were discreetly sent into Chiapas in response to the 1994 Zapatista uprising for the purpose of “providing training to Mexican military and police forces.”

The Mexican government also made use of the Arava aircraft to deploy its Airborne Special Forces Group (Grupo Aeromóvil de Fuerzas Especiales, or GAFE). GAFE commandos were themselves trained by Israel and the US. Several would later desert the GAFE and go on to create “Los Zetas,” currently Mexico’s most powerful and violent drug cartel (“Los Zetas and Mexico’s Transnational Drug War,” World Politics Review, 25 December 2009).

Mexico was surprised by the Zapatistas, who rose up the day the North American Free Trade Agreement went into effect. The Mexican government found itself needing to respond to the dictates of foreign investors, as a famously-leaked Chase-Manhattan Bank memo revealed: “While Chiapas, in our opinion, does not pose a fundamental threat to Mexican political stability, it is perceived to be so by many in the investment community. The government will need to eliminate the Zapatistas to demonstrate their effective control of the national territory and of security policy.”

Full article

thepeoplesrecord: Meet The Red Brigade: formed in November 2011...

Sun, 19 May 2013 20:38:59 -0700

thepeoplesrecord:

Meet The Red Brigade: formed in November 2011 to fight back against a growing number of sexual attacks on women in the city of Lucknow, India

The male tormentor of the young women of the Madiyav slum did not spot the danger until it was too late. One moment he was taunting them with sexual suggestions and provocations; the next they had hold of his arms and legs and had hoisted him into the air.

Then the beating began. Some of the young women lightly used their fists, others took off their shoes and hit him with those. When it was over, they let him limp away to nurse his wounds, certain that he had learned an important lesson: don’t push your luck with the Red Brigade.

Named for their bright red outfits, the Red Brigade was formed in November 2011 as a self-defense group for young women suffering sexual abuse in the northern Indian city of Lucknow, 300 miles south-east of Delhi. Galvanised by the gang rape and murder of a 23-year-old medical student in Delhi last December and the nationwide protests that followed against a rising tide of rapes, they are now gaining in confidence.

From a core membership of 15, ranging in age from 11 to 25, they now have more than 100 members with a simple message for the men who have made their lives a misery: they will no longer tolerate being groped, gawped at and worse. Their activities are a lesson in empowerment.

Men who fall foul of the Red Brigade can first expect a visit and a warning. Sometimes the Red Brigade will ask the police to get involved, but if all else fails they take matters into their own hands. Their leader, 25-year-old teacher Usha Vishwakarma, has her own experience of the daily danger faced by many young women in the country. She was just 18 when a fellow teacher tried to rape her. “He grabbed me and put his hands round me and tried to open my belt and trousers,” says Usha, sitting in the bare-brick front room of her small house. “But I was saved by my jeans because they were too tight for him to open, and that gave me a chance to fight, so I kicked him in the sensitive place and pushed him down and ran out of the door.”

No one at the school took her accusations seriously, telling her to forget it and stop causing trouble. The experience left her traumatized and for two years she did nothing. But little by little her confidence came back. In 2009 she set up her own small school for local girls in an outbuilding next to her family home. Yet all around her, she says, she saw more and more young women suffering the same abuse she had faced. And it was threatening to wreck the chances of her young female students.

“Parents were telling girls to stay in their homes so there would be no incidents. They said, ‘if you go to school, boys will be troubling you, so stay home and there will be no sexual violence’,” says Vishwakarma. “But we said no, and we decided to form a group to fight for ourselves. We decided we would not just complain; we would take a lead and fight for ourselves.” They bought red kameez (shirts) and black salwar (trousers) and began to plan the fightback. “We chose red because it means danger and black for protest,” says Vishwakarma.

There is much to fight back against. “It is in the minds of men that girls are objects and it has been like that always,” says Vishwakarma. “Religion shows women as very powerless and that whoever is strong can do anything.”

They have started martial arts training so that the men do not have a physical advantage over them. Pooja, Vishwakarma’s 18-year-old sister, laughs as she recalls the reaction of the boy they grabbed in the street when his taunts became too much. “We all stopped and turned round and we surrounded him and grabbed his arms and legs and he thought it was a joke, but we were not kidding and four of us lifted him in the air and the others started to hit him with their shoes and fists,” she says.

The rough justice the Red Brigade metes out might seem extreme to western sensibilities, but many Indian women are making it clear that they are no longer prepared to put up with endemic abuse. That much is clear from the crime figures: reports of molestation in Delhi are up 590% year on year and rape reports by 147%. The rape cases have hit tourist numbers, which were down 25% in the first three months of the year – 35% fewer women are travelling to India. The Red Brigade say sexual abuse is a part of daily life for young women like them. They all have stories of abuse, attempted rapes and daily harassment. “This is what happens in India,” says 16-year-old Laxmi, one of Vishwakarma’s lieutenants. “These things happen all the time. All of us know this, so don’t let anyone say otherwise. This is why we have formed the Red Brigade.”

Seventeen-year-old Preeti Verma nods in agreement. Her family are too poor to have a toilet in the house, so she has to go out into the fields, she says. Every time she went out, the man in the neighbouring house threw stones at her to try to scare her into jumping up. “He wanted to see my body,” she says. “I told him: ‘What are you doing? You are shameless, don’t you have a mother and sister in your house?’ But he replied that his mother is for his father, his sister is for her husband and that I was for him.” She told Vishwakarma, and the man received a visit from the Red Brigade and another from the police. She has had no trouble from him since.

“We’ve caught a lot of men recently,” says 17-year-old Sufia Hashmi. “I joined up because men always used to pass comments on me and touch my body, but now we beat them the men cannot do anything and they run away. You feel powerful and you feel good.”

On the way back to the slum, the rickshaws pass a public park and for a moment these tough young women show themselves for what they really are – children forced to grow up fast. They beg and plead to stop. “Please, please,” they say, their eyes gleaming in excitement. Shrieking gleefully, they race off towards the swings, slides and roundabouts. Later they stroll back through the market, eating ice-creams, heading for their homes. The sun is low in the sky, the shadows long. The men watch sullenly as they pass. No one risks a word.

Source

Saw this on Al Jazeera this morning. I’m sure it’s gone around Tumblr in some form before.

“Life on an Assiniboine Indian reservation”, Montana, 1954 by...

Thu, 16 May 2013 22:21:27 -0700

“Life on an Assiniboine Indian reservation”, Montana, 1954 by Burt Glinn

ledecorquejadore: Kurdish women in a northwestern Azerbaijani...

Thu, 16 May 2013 14:29:18 -0700

ledecorquejadore:

Kurdish women in a northwestern Azerbaijani village; photograph by Roger Wood, 1969 (via Pinterest)

androphilia: Life With The Hijab By Sadaf Syed ① University of...

Wed, 15 May 2013 16:04:19 -0700

① © Sadaf Syed

② © Sadaf Syed

③ © Sadaf Syed

④ © Sadaf Syed

⑤ © Sadaf Syed

⑥ © Sadaf Syed

⑦ © Sadaf Syed

⑧ © Sadaf Syed

⑨ © Sadaf Syed

⑩ © Sadaf Syed

androphilia:

Life With The Hijab By Sadaf Syed

① University of Michigan’s DJ Hadeel Al-Hadidi created and broadcasts her own hour-long radio program.
② Scholars teach that Islam encourages sports and physical activity for all, wrote Sayed. The prophet Muhammad is said to have invited his wife Aisha to a foot race.
③ Nadia Afghani, left, and Nadia Chohan make up Hijabi Deafness, a Muslim punk rock/hip-hop band.
④ Michelle Yim, a network engineer, skis, swims, body surfs, rides motorcycles – all while wearing the hijab.
⑤ Atlanta-based Mariem “Punchenella” Brakache (5-5, 1KO) is a former IBA Junior Middleweight Champion, boxing coach and renowned trainer.
⑥ A ballerina and tap dancer from Texas, Hiba Awad is anxious to prove “how versatile and unique a Muslim woman can be.”
⑦ Nousheen Yousuf said the practice of tae kwon do “taught me to treat daily prayers as a real meditation, where the focus is on my relationship with God.”
⑧ Nosheen Cassim, a part-time makeup artist and full-time mother of two, was born and raised in Illinois, but has been threatened by strangers who told her to “go back to where she came from.”
⑨ No matter how different they may look from other beachgoers, Sama Wareh, left, and Aurelia Khatib believe in doing what they love, including surfing.
⑩ Asma Azim, a step-grandmother from Pakistan, has been a manager of mechanics and a truck driver for more than a dozen years. She said her male contemporaries treat her with respect – especially when they discover she can repair her own engine.

humanrightswatch: Film Festival: Bringing Human Rights Issues...

Wed, 15 May 2013 09:20:06 -0700

humanrightswatch:

Film Festival: Bringing Human Rights Issues to Life

The Human Rights Watch Film Festival returns to New York screens from June 13 to 23, 2013, with a program of 20 challenging and provocative films from across the globe that call for justice and social change. Now in its 24^th edition, the festival will once again be presented at the Film Society of Lincoln Center and this year adds downtown screenings at the IFC Center.

The festival will launch on June 13 with a fundraising Benefit Night for Human Rights Watch featuring the HBO documentary Which Way Is the Front Line From Here? The Life and Time of Tim Hetherington. The film is Sebastian Junger’s moving tribute to his lost friend and Restrepo co-director, the photojournalist and filmmaker Tim Hetherington, who was killed while covering the Libyan civil war in 2011. The main program will kick off on June 14 with the Opening Night presentation of Oscar-winning filmmaker Freida Mock’s ANITA, in which Anita Hill looks back at the powerful testimony she gave against Supreme Court nominee Clarence Thomas and its impact on the broader discussion of gender inequality in America. The Closing Night screening on June 23 will be Jeremy Teicher’s award-winning drama Tall As the Baobab Tree, the touching story of a teenage girl who tries to rescue her younger sister from an arranged marriage in rural Senegal.

Traditional Values and Human Rights: Women’s Rights
Traditional values are often cited as an excuse to undermine human rights. In addition to Tall As the Baobab Tree, five documentaries in this year’s festival consider the impact on women. Veteran documentarian Kim Longinotto’s Salma is the remarkable story of a South Indian Muslim woman who endured a 25-year confinement and forced marriage by her own family before achieving national renown as the most famous female poet in the Tamil language. Jehane Noujaim and Mona Eldaief’s Rafea: Solar Mama profiles an illiterate Bedouin woman from Jordan who gets the chance to be educated in solar engineering but has to overcome her husband’s resistance.In Karima Zoubir’s intimately observed Camera/Woman, a Moroccan divorcée supports her family by documenting wedding parties while navigating her own series of heartaches. It will be shown with Rokhsareh Ghaem Maghami’s Going Up the Stairs, a charming portrait of a traditional Iranian grandmother who discovers her love of painting late in life and is invited to exhibit her work in Paris. Mike Lerner and Maxim Pozdorovkin’s candid HBO documentary Pussy Riot – A Punk Prayer centers on the women of the radical-feminist punk group, two of whom are currently serving time in a Russian prison for their acts of defiance against the government.

Traditional Values and Human Rights: LGBT Rights
Three films in the program remind viewers that, despite recent strides toward equality, LGBT communities around the world still struggle for acceptance. Shaun Kadlec and Deb Tullmann’s Born This Way is an intimate look at the lives of four young gay men and lesbians in Cameroon,where there are more arrests for homosexuality than in any other country in the world.Yoruba Richen’s The New Black uncovers the complicated and often combative intersection of the African-American and LGBT civil rights movements, with a particular focus on homophobia in the black church. In Srdjan Dragojevic’s drama The Parade, a fight by activists to stage a Gay Pride parade in Belgrade leads to an unlikely alliance in a black-humored look at contemporary Serbia.

Traditional Values and Human Rights: Disability Rights
Harry Freeland’s In the Shadow of the Sun is an unforgettable study in courage,telling the story of two albino men who attempt to follow their dreams in the face of prejudice and fear in Tanzania.

Crises and Migration
Three documentaries highlight the issues of humanitarian aid, conflict, and migration. In the Festival Centerpiece, Fatal Assistance, the acclaimed director Raoul Peck, Haiti’s former culture minister, takes us on a two-year journey following the 2010 earthquake and looks at the damage done by international aid agencies whose well-meaning but ignorant assumptions turned a nightmare into an unsolvable tragedy.Danish journalist Nagieb Khaja’s My Afghanistan – Life in the Forbidden Zone shows ordinary Afghans in war-torn Helmand who were provided with hi-res camera phones to record their daily lives, giving a voice to those frequently ignored by the Western media.Marco Williams’The Undocumented isan unvarnished account of the thousands of Mexican migrants who have died in recent years while trying to cross Arizona’s unforgiving Sonora Desert in search of a better life in the United States.

Focus on Asia
The festival will screen two important documentaries from Asia.In Joshua Oppenheimer’s chilling and inventive The Act of Killing, the unrepentant former members of Indonesian death squads are challenged to reenact some of their many murders in the style of the American movies they love.

Marc Wiese’s Camp 14 – Total Control Zone tells the powerful story of Shin Dong-Huyk, who spent the first two decades of his life behind the barbed wire of a North Korean labor camp before his dramatic escape led him into an outside world he had never known. Wiese is the recipient of the festival’s annual Nestor Almendros Award for courage in filmmaking for his film.

Human Rights in the United States
Four American documentaries – including festival opener ANITA – highlight human rights issues in our own back yard. 99% – The Occupy Wall Street Collaborative Film goes behind the scenes of the 2011 movement, digging into big-picture issues as organizers, participants, and critics reveal what happened and why. Al Reinert’s An Unreal Dream: The Michael Morton Story tells the story of a Texas man who was wrongfully convicted of his wife’s murder and was exonerated by new DNA evidence after nearly 25 years behind bars. Lisa Biagiotti’s deepsouth is an evocative exploration of the rise in HIV in the rural American south, a region where poverty, a broken health system and a culture of denial force those affected to create their own solutions to survive.

In conjunction with this year’s film program, the festival will present the photo exhibit Dowry: Child and Forced Marriage in South Sudan. The exhibit is Getty photographer Brent Stirton’s visual investigation into the devastating impact the tradition of child marriage has on girls in this East African nation. It will be featured in the Frieda and Roy Furman Gallery at the Film Society of Lincoln Center’s Walter Reade Theater for the duration of the festival.

Photo: © 2012 Harry Freeland

yagazieemezi: “not natasha,” a photographic essay on eastern...

Mon, 13 May 2013 21:51:15 -0700

yagazieemezi:

“not natasha,” a photographic essay on eastern european sex trafficked slaves by dana popa

(documentary, the real sex traffic; film, lilya 4-ever)

Cuban government holds anti-homophobia parade

Mon, 13 May 2013 08:55:56 -0700

Cuban government holds anti-homophobia parade: fuckyeahmarxismleninism: Hundreds of people danced...

magictransistor: Kachinas are gods or spirits. Hopi dancers...

Sat, 11 May 2013 10:07:54 -0700

magictransistor:

Kachinas are gods or spirits. Hopi dancers often emulate them in their rituals.

Hopi tradition maintains that Kachina costumes bestow magical powers upon the wearer.

Katsinas of Hopi Powamu Ceremony, Walpi Pueblo, Arizona, 1893, James Mooney, Bureau of American Ethnology.

laborreguitina: bilt2tumble: str8nochaser: onikaisthenewblack:...

Wed, 08 May 2013 21:32:04 -0700

laborreguitina:

bilt2tumble:

str8nochaser:

onikaisthenewblack:

lickypickystickyme:

If grandmothers around the world had a rallying cry, it would probably sound something like “You need to eat!”

Photographer Gabriele Galimberti’s grandmother said something similar to him before one of his many globetrotting work trips. To ensure he had at least one good meal, she prepared for him a dish of ravioli before he departed on one of his adventures.

“In that occasion I said to my grandma ‘You know, Grandma, there are many other grandmas around the world and most of them are really good cooks,” Galimberti wrote via email. “I’m going to meet them and ask them to cook for me so I can show you that you don’t have to be worried for me and the food that I will eat!’ This is the way my project was born!”

The project, “Delicatessen With Love”, took Galimberti to 58 countries where he photographed grandmothers with both the ingredients and finished signature dishes.

Galimberti said many of the subjects for the project were selected serendipitously, picked while he was working on a project about couch surfing that explored the global phenomenon of staying in other people’s houses. Since Galimberti never slept in hotels while working on the project, he was able to come into contact with people who introduced him to grandmothers in the area.

Galimberti acted as photographer and stylist during each shoot with the grandmothers, taking a portrait of both the women and the food they made for him.

From top to bottom:

Inara Runtule, 68, Kekava, Latvia. Silke (herring with potatoes and cottage cheese).

Grace Estibero, 82, Mumbai, India. Chicken vindaloo.

Susann Soresen, 81, Homer, Alaska. Moose steak.

Serette Charles, 63, Saint-Jean du Sud, Haiti. Lambi in creole sauce.

The photographer’s grandmother Marisa Batini, 80, Castiglion Fiorentino, Italy. Swiss chard and ricotta Ravioli with meat sauce.

Normita Sambu Arap, 65, Oltepessi (Masaai Mara), Kenya. Mboga and orgali (white corn polenta with vegetables and goat).

Julia Enaigua, 71, La Paz, Bolivia. Queso Humacha (vegetables and fresh cheese soup).

Fifi Makhmer, 62, Cairo, Egypt. Kuoshry (pasta, rice and legumes pie).

Isolina Perez De Vargas, 83, Mendoza, Argentina. Asado criollo (mixed meats barbecue).

Bisrat Melake, 60, Addis Ababa, Ethiopia. Enjera with curry and vegetables.

[ I was going to post a long rant about some arrogant white yoga girl who insist people are ignorant for using olive oil to cook and should not eat fish or drink milk or eat cheese because of all sorts of problematic food issues, instead I said, let me focus on those who celebrate food. If you still want to see the link of the article she was waving on her Facebook, there you go. Privileged white people…ugh]

So cool:)

the third set is calling my name. i’m calling my mama after work.

I wanna try ALL of them.

this is a really beautiful celebration of women and the nourishing foods they make with such love and care.

hugewiener: There was a party on May 3rd at the University of...

Tue, 07 May 2013 10:21:14 -0700

hugewiener:

There was a party on May 3rd at the University of Southern California with the majority of attendees being African-American and Hispanic USC students. The party was registered with the school, and there was another party directly across the street being attended by mostly Caucasian/White students. Both parties had similar noise levels according to dozens of accounts from both sides (source).

Two cops arrived to the party with the minorities and told them to lower their noise level; the party’s host told the attendees to go inside the house and they resumed the party in there with lower volume. A few minutes later the cops came back and students began leaving, and the cops arrested the host. More and more cops began to arrive and soon a helicopter came. All of this was while the students were filing out and more and more cops entered the home; furthermore, the white party continued across the street and some officers even went there to tell them to stay inside and safe. A white student told reporters that “basically they didn’t stop our party at all. They had no problem with us.” (source).

As the minority students saw all the cops and attempted to leave, some were tased, and some were slammed to the ground and arrested. Many resisted on the grounds that they had no idea why they were being arrested seeing as they were leaving peacefully and were over the drinking age (the party required ID). Even more cops arrived (source)(video).

Later that night at about 4:30am, a resident at the house where the white party was thrown was awoken by thudding. He rose to see two LAPD officers trying to speak to his roommate. They ordered him to wake up everybody in the (co-ed) house and as they did so they stumbled into two female residents shirtless and asleep, and one of the officers simply stared. (source)

The reason that they were in that house was to gather statements about how LAPD acted correctly against the minority students but the students at the white party’s house gave factual statements that did not incriminate the minority students how the officers wanted. They have complained about their home being entered without a warrant in the middle of the night but have yet to hear back.

On Tuesday USC will have an open forum in regards to the racial profiling that happened (at the party and in the past) at the school but that is not enough; this has to be more than a local issue and should be made known nationally. USC has issues with racial profiling and it is time that it stops. Anyone can help by signing this petition and making it big. (Photograph source)

geordiewood: This month, in our annual Photo Issue, The FADER...

Mon, 06 May 2013 09:04:48 -0700

geordiewood:

This month, in our annual Photo Issue, The FADER is publishing a feature on the epidemic of youth violence in Chicago, photographed by Daniel Shea. It’s no exaggeration to say this has been one of the most fulfilling projects that Daniel and I have ever worked on.

The feature is live online today. Over the duration of the week four extended edits will be posted along with conversations between Daniel and I.

This essay was a deviation from past photo issues. Instead of publishing preexisting work we decided to commission one large essay with ambitious goals. Our choice to shoot on the ground in Chicago stemmed from the idea that the violent rhetoric that permeates contemporary rap music has a human cost that is too often overlooked. The FADER and many other magazines covering new music feature musicians that propagate cultures of violence (like Chief Keef, who Daniel shot for The FADER’s cover less than a year ago). With the magazine’s audience of young people in mind, we wanted to face that head on.

What resulted is 16 pages of photographs and a Q&A with veteran Chicago reporter Alex Kotlowitz. We aimed to depict what life in the South Side is like for young people, through individuals affected by violence, those participating in it and the grassroots effort to curb the spread of retaliatory crime which seems to have no end.

I would like to personally thank Daniel, my friend, for his incredible effort and determination working on this project, as well as the staff and publishers of The FADER for believing in it and to the men and women of CeaseFire who opened countless doors for us. Please spread the word and consider donating to their incredible effort.

viα death-and-necromancy: Hanging Coffins. Hanging coffins are...

Mon, 06 May 2013 08:18:01 -0700

viα death-and-necromancy: Hanging Coffins.

Hanging coffins are coffins which have been placed on cliffs. They can be found in various locations, including China and the Philippines. In China, they are known as Xuanguan which also means “hanging coffin”.

Hanging coffins are an ancient funeral custom of some minority groups, especially the Bo people of southern China. Coffins of various shapes were mostly carved from one whole piece of wood. Hanging coffins either lie on beams projecting outward from vertical faces such as mountains, are placed in caves in the face of cliffs, or sit on natural rock projections on mountain faces.

fotojournalismus: How A Female Photographer Sees Her...

Sun, 05 May 2013 19:43:47 -0700

Afghans feed pigeons at the Shrine of Hazrat Ali in northern Afghanistan, 2009.

An unidentified Afghan prostitute fixes her headscarf to cover her face in Kabul, 2008.

An Afghan boy selling balloons waits for customers in Kabul, 2009.

An Afghan girl blows bubble gum while cooking for her family in Kabul, 2007.

An Afghan policeman is seen through a hole at a police checkpoint on the outskirts of Kabul, 2007.

Two Afghan women clad in burqas whisper in a shop in Kabul, 2007.

An Afghan girl bathes her brother near a building where refugees live in Kabul, 2007.

An Afghan girl brushes her hair in Kabul, 2007.

Ten-year-old Nahid grabs a thread while weaving carpet in her home in Kabul, 2010.

Boys play on a water pipe in a cemetery in Kabul, 2007.

fotojournalismus:

How A Female Photographer Sees Her Afghanistan

Born in Kandahar, Afghanistan, in 1984, photographer Farzana Wahidy was only a teenager when the Taliban took over the country in 1996. At age 13 she was beaten in the street for not wearing a burqa, she recalls, and she describes those years as a “very closed, very dark time.” To carry a camera would have been unthinkable.

And yet, she says, “I felt lucky compared to other women at that time.” Women were banned from continuing their education during Taliban rule. But some, like Farzana, found ways to keep studying. She would carry books under her burqa and attended what she calls an “underground school” with about 300 other students in a residential area of Kabul.

When U.S.-led forces ended Taliban rule in 2001, Wahidy was able to attend high school. A friend encouraged her to apply for a photojournalism program, knowing that she had hopes of sharing her experiences with the world.

“Day by day, as I started learning about photography, I fell more in love with it,” she says. “There was a huge need for women photographers in Afghanistan.”

Wahidy became the first Afghan female photographer to work for the AFP and later AP, two leading wire agencies, and eventually received a scholarship to continue studies in a photojournalism program in Canada. In 2010, Wahidy returned home to Afghanistan.

“I try to show the bigger image, not just show we have problems,” she says. “And we do have a lot of problems, but I do want to show normal daily life.”

Wahidy focuses on women. “This subject was important to me because I am a woman,” she says, recognizing an advantage that gives her. When she wants to document their lives, “it’s easier for a woman to get access,” she says.

Her photos of daily life range from men selling balloons on the streets to the secret lives of female prostitutes. And Wahidy was not the only one to recognize the need for this type of photography in Afghanistan. She is now part of the recently created Afghan Photography Network.

“Many Afghan photographers are not well-connected,” she explains. “We hope it will create a better connection and show Afghanistan by Afghan photographers.”

It is a young website, still in development, but the Afghan Photography Network is already bringing increased visibility to the work of Afghan photographers.

Of the eight women in her original photojournalism program, Wahidy is the only one working as a full-time photographer. Some got married, and others stopped working for reasons unknown to Wahidy. Wahidy, meanwhile, plans to continue for a very long time.

“When I shoot and I get a good photo,” she says, “that is a beautiful day.”

rocketeam: Ganga Aarti is a Hindu religious ritual of worship,...

Sun, 05 May 2013 13:05:57 -0700

rocketeam:

Ganga Aarti is a Hindu religious ritual of worship, a part of puja, in which light from wicks soaked in ghee (purified butter) or camphor is offered to one or more deities. Aartis also refer to the songs sung in praise of the deity, when lamps are being offered.

When aarti is performed, the performer faces the deity of God (or divine element, e.g. Ganges river) and concentrates on the form of God by looking into the eyes of the deity (it is said that eyes are the windows to the soul) to get immersed. The flame of the aarti illuminates the various parts of the deity so that the performer and onlookers may better see and concentrate on the form. Aarti is waved in circular fashion, in clockwise manner around the deity. After every circle (or second or third circle), when Aarti has reached the bottom (6-8 o’ clock position), the performer waves it backwards while remaining in the bottom (4-6 o’ clock position) and then continues waving it in clockwise fashion. The idea here is that aarti represents our daily activities, which revolves around God, a center of our life. Looking at God while performing aarti reminds the performer (and the attendees of the aarti) to keep God at the center of all activities and reinforces the understanding that routine worldly activities are secondary in importance. This understanding would give the believers strength to withstand the unexpected grief and keeps them humble and remindful of God during happy moments. Apart from worldly activities aarti also represents one’s self - thus, aarti signifies that one is peripheral to Godhead or divinity. This would keep one’s ego down and help one remain humble in spite of high social and economic rank. A third commonly held understanding of the ritual is that aarti serves as a reminder to stay vigilant so that the forces of material pleasures and desires cannot overcome the individual. Just as the lighted wick provides light and chases away darkness, the vigilance of an individual can keep away the influence of the material world.

Aarti is not only limited to God. Aarti can performed not only to all forms of life, but also inanimate objects which help in progress of the culture. This is exemplified by performer of the aarti waving aarti to all the devotees as the aarti comes to the end - signifying that everyone has a part of God within that the performer respects and bows down to. It is also a common practice to perform aarti to inanimate objects like vehicles, electronics etc. at least when a Hindu starts using it, just as a gesture of showing respect and praying that this object would help one excel in the work one would use it for.

katebomz: Chad: The Wodaabe By Marie-Laure De...

Fri, 03 May 2013 08:04:46 -0700

© Marie-Laure De Decker

© Marie-Laure De Decker

© Marie-Laure De Decker

© Marie-Laure De Decker

© Marie-Laure De Decker

© Marie-Laure De Decker

© Marie-Laure De Decker

© Marie-Laure De Decker

© Marie-Laure De Decker

© Marie-Laure De Decker

katebomz:

Chad: The Wodaabe By Marie-Laure De Decker

via androphilia:

ryanpanos: The Living Residents of Manila’s North Cemetery via...

Thu, 02 May 2013 21:38:45 -0700

ryanpanos:

The Living Residents of Manila’s North Cemetery via Amusing Planet

Housing is so scarce in the Filipino capital of Manila, that thousands of residents have found an alternative to their housing woes by making the cemetery their home.

Metro Manila is a bustling city with a population of around 12 million. It ranks as the world’s eleventh largest metropolitan area and the fifth largest urban area by population. It is also ranked as one of the most densely populated cities in the world. But the vast majority of the city’s residents are poor. As much as 40% of the population lives below the poverty line, often squatting in shantytowns, unable to afford anything better.

thetruecolourofthings: One on One - Steve McCurry The...

Thu, 02 May 2013 07:16:25 -0700

thetruecolourofthings:

One on One - Steve McCurry

The internationally renowned photographer talks to Riz Khan about documenting humanity in times of war and peace.

Bad Ethnography

reportagebygettyimages: “The slums near Manila Bay are...

thepeoplesrecord: The troubling viral trend of the “hilarious”...

thepeoplesrecord: Israel & Mexico swap notes on abusing...

thepeoplesrecord: Meet The Red Brigade: formed in November 2011...

“Life on an Assiniboine Indian reservation”, Montana, 1954 by...

ledecorquejadore: Kurdish women in a northwestern Azerbaijani...

androphilia: Life With The Hijab By Sadaf Syed ① University of...

humanrightswatch: Film Festival: Bringing Human Rights Issues...

Film Festival: Bringing Human Rights Issues to Life

yagazieemezi: “not natasha,” a photographic essay on eastern...

Cuban government holds anti-homophobia parade

magictransistor: Kachinas are gods or spirits. Hopi dancers...

Katsinas of Hopi Powamu Ceremony, Walpi Pueblo, Arizona, 1893, James Mooney, Bureau of American Ethnology.

laborreguitina: bilt2tumble: str8nochaser: onikaisthenewblack:...

hugewiener: There was a party on May 3rd at the University of...

geordiewood: This month, in our annual Photo Issue, The FADER...

viα death-and-necromancy: Hanging Coffins. Hanging coffins are...

fotojournalismus: How A Female Photographer Sees Her...

rocketeam: Ganga Aarti is a Hindu religious ritual of worship,...

katebomz: Chad: The Wodaabe By Marie-Laure De...

ryanpanos: The Living Residents of Manila’s North Cemetery via...

thetruecolourofthings: One on One - Steve McCurry The...